Medina Community Band
This material covers the EHOVE Career Center Concert - Sunday, April 14th, 2012, 2p
Site: 316 Mason Road, Milan, OH 44846
Medina: The Medina Community Band, under the baton of Marcus L. Neiman, will present their annual spring concert on Sunday, April 14th, at 2p, EHOVE Career Center, 316 Mason Road (Milan 44846). Admission is complimentary to the concert.
The annual EHOVE Career Center will mark the Medina Community Band’s 23rd appearance at the site. Special guest soloists from Edison High School will be Edison High School Band students who will perform as part of an antiphonal brass and percussion choir in Kalinnikov’s “Finale to Symphony No 1, in g minor,” and special feature trumpet trio, including Edison High School students Ryan Reilly, Teresa Lamar, and Olivia Gomek will be featured in Harold Walter’s Jim Dandies trumpet trio. In addition, Edison High School Band Director Denise Reilly will appear as a featured guest conductor, conducting Karl King’s march “Allied Honor.”
Special guest soloists will be Vicki Smith (clarinet); Marcia Nelson-Kline (trumpet); Lee Harper (trombone); Kyle Snyder (tuba); and, Bill Becker (drums) in McLeod’s “State Street Strut.”
Marcus Neiman, in his 41st year of conducting the Medina Community Band, will conduct LaPlante’s “Cowboy Symphony,” Warren Barker’s arrangement of “Le Misérables,” Fillmore characteristic trombone feature “Miss Trombone,” and, marches by Zo Elliott, John Philip Sousa, and Irving Berlin.
A special salute to the military and their families will include the Lowden arrangement of “Armed Forces Salute,” the national march of the United States, Sousa’s “The Stars and Stripes Forever,” and the Berlin “God Bless America.” The program is being dedicated to Marlene Musselman, fan of the community band.
The 75-piece ensemble’s program will be narrated by Jan Snyder. The concert will be repeated with slight changes in literature in the Medina High School Performing Arts Center, 851 Weymouth Road, Medina 44256. Medina Community Band’s summer season will begin on Friday, June 7th, at 8:30p on the Historic Medina Public Square Gazebo. Concerts will continue weekly through Friday, July 26th as well as the annual July 4th concert at 8:30p. Medina Community Band is under the baton of Marcus Neiman, who has served as their conductor since the summer of 1973. For further information on the EHOVE concert, please call EHOVE Career Center at 866.499.9707. For further information on the Medina High School concert, contact Neiman at 330.725.8198 or via email at MarcusNeiman@medinacommunityband.org.
Marcus Neiman (left) celebrates his 41st season as conductor of the Medina Community Band and 40th summer season. Neiman is a part-time assistant professor of music education at Kent State University where he teaches the “Music Education as a Profession” and “Instrumental Methods for Choral General Music Majors” courses and supervises music education student teachers and assists with recruiting and outreach. He was interim director of the Kent Concert Band during the 2010-2011 academic year.
He received his bachelor of science in music education degree from The University of Akron; master of music in music education degree from The University of Michigan; and, post-degree doctorial work at The Kent State University.
He is a member of the 1993-94 class of Leadership Medina County. Neiman remains active with Ohio Music Education Association (OMEA), having served as state president of that organization from 1998-2000, and currently serves as a woodwind adjudicator and state historian. He is the recipient OMEAs highest honor, the “Distinguished Service Award,” presented to him on January 29th, 2010. Neiman is the artistic director and founding conductor of the professional concert band – The Sounds of Sousa Band and appears throughout the nation as a guest clinician and conductor.
Marcus and his wife Mary Ann, who is a professional clarinetist and program administrator - preparatory and continuing education department for the Cleveland Institute of Music, reside in Medina with their two cats Sasha and Dmitri.
Star Spangled Banner (John Stafford Smith, arranged by John Philip Sousa) uses lyrics from a poem written in 1914 by Francis Scott Key, a then 35-year-old amateur poet after seeing the bombardment of Fort McHenry at Baltimore, Maryland, by Royal Navy ships in Chesapeake Bay during the War of 1812.
The poem was set to the tune of a popular British drinking song, written by John Stafford Smith for the Anacreontic Society, a London social club. Set to Key’s poem and renamed “The Star-Spangled Banner,” it would soon become a well-known American patriotic song. It was recognized for official use by the United States Navy in 1889 and the President in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.
Before 1931, other songs served as the hymns of American officialdom. Most prominent among them was “Hail, Columbia” which served as the de facto national anthem from Washington’s time and through the 18th and 19th centuries. Following the War of 1812 and subsequent American wars, other songs would emerge to complete for popularity at public events, among them “The Star Spangled Banner."
Pierre LaPlante (pictured at left), was born September 25th, 1943, in West Allis, Wisconsin. He grew up in Sturgeon Bay, Wisconsin, where he was active in the high school band, choir, and theatre. LaPlante received a music clinic tuition scholarship to attend the University of Wisconsin at Madison, where he earned his bachelor of music (1967) and master of music (1972) degrees. He began his teaching career in Blanchardville, Wisconsin (now the Pecatonica Area Schools), in the fall of 1967.
His many years of working with beginning band students has proven very helpful when writing music that is accessible to young players.
Cowboy Symphony is a three movement mini-symphony for band featuring traditional American cowboy songs including: The Girl I Left Behind, The Chisholm Trail, The Cowboys, Buffalo Gals, Golden Slippers, Soldier’s Joy, and, Skip to My Lou. Movements include: Chisholm Trail; The Cowboy; and, At a Cowboy Dance. Medina Community Band will perform the first and third movement.
Karl L. King (pictured at right) joined the circus when he was 19 years old at a time when the circus world was in great need for composers to write special music for the various acts. King’s unique ability and uncanny knack allowed him to write and arrange just to the needs of the circus world. King played an important role in the Iowa Band Law, state legislation giving municipalities the right to levy a small tax to support a municipal band. He was also one of the first march composers to write special music for the growing school band programs in America. In addition to writing marches, he also wrote overtures, waltzes, and other selections that could be used for individual concerts or massed band performances.
Allied Honor was published in 1950 by the C.L. Barnhouse Company
Harold Walters – Jim Dandies – was born in 1918. He began cornet lessons at the age of eight, later changing to tuba and string bass. After graduating from Little Rock High School he received additional musical instruction at the Cincinnati Conservatory of Music and the American University. From 1938 to 1943 he performed and served as chief arranger with the U.S. Navy Band in Washington, D.C. After his military discharge he was with CBS Radio in Washington for a year and then moved to New York City where he served as conductor-arranger for Warner Brothers Theatre, Fox Newsreel features, Randolph Hurst News, and various orchestras, including the Sigmund Romberg Orchestra.
In 1946 Mr. Walters, who had become an honorary member of Beta (OK) Chapter, invited Alpha (TX) Chapter member Dr. Milburn Carey to charter Gamma Chapter in Indiana. Gamma Chapter of Phi Beta Mu was organized and the charter members initiated on November 27, 1953 at the state convention of the Indiana Music Educators Association. He maintained close friendship with several Indiana bandmasters including Frank Cofield who he frequently visited in Seymour, Indiana.
In 1949 he joined the Rubank Music Publishing Company as editor, composer and arranger. Walters’ published compositions and arrangements number over 900 for band and over 600 for strings, woodwind, brass and percussion solos and ensembles.
He is a member of the American Society of Composers, Authors and Publishers (ASCAP). In 1956 he was elected president of the American Band Masters Association, and some years later he received an honorary doctorate of music at Washington College of Music. Harold Walters passed away in 1984.
We are delighted to feature Edison High School students: Ryan Reilly, Tessa Lamar, and Olivia Gomek who will be featured in the trumpet trio by Walters … Jim Dandies.
Contrary to popular belief, John Philip Sousa (pictured at left) composed many waltzes. In fact, he relished that form. Most were orchestra compositions, used as ballads in his operettas. His 1896 waltz, Colonial Dames, was first published for piano in a ladies magazine, and immediately become a popular feature on Sousa’s band concerts. Since the Colonial Dames of America, an organization composed of women who could trace their ancestry to British-America from 1607 until 1775, was formed in 1890, there is little down that Mr. Sousa was recognizing the organization with his waltz.
Mr. Sousa’s 1914 march, The Lambs’ March, was written for the 1914 gambol of the celebrated Lambs Club of New York. Mr. Sousa composed the march and “The Lambs’ Gambol” overture. He also accompanied a group of club members on a fund-raising tour of the major eastern cities. In each city, he led a parade and apparently acted as musical director for their stage presentation.
Alonzo ("Zo") Elliott was educated at St. Paul's School (Concord, New Hampshire), Phillips Academy (Andover, Massachusetts), Yale University, Cambridge University, and Columbia Law School. Elliott also studied voice with De Sadler of New York and Berlin, and piano with Harry Whittemore of Manchester, New Hampshire. His best known composition is "There's a Long, Long Trail," one of the most popular songs from the era of World War I. (Elliott wrote the music; the words are by Stoddard King.) That song was not the only example of Elliott's interest in military music; he composed an opera, Top Sergeant, and he wrote an article about the background of the Civil War song "John Brown" which showed that the John Brown of the song was a soldier in Boston, not the famous abolitionist of the same name.
British Eighth March. The march was written in tribute to General Bernard Montgomery and the Eighth Army and was copyrighted in 1943 for publication in 1944. The march was written after Montgomery’s triumphant sweep across Northern Africa in 1942 in the middle of World War II. Following the defeat of Rommel’s forces at El Alamein, Montgomery was promoted to field marshal, and he soon became the idol of the British public. In 1944, he commanded all Allied ground forces during the invasion of France, and in 1951, he became deputy commander of the Atlantic Pact nations.
British Eighth march is one of the most performed marches on both sides of the Atlantic. But, the rest of the story lies in the fact that Elliot, despite the British-sounding name, was in fact an American!